Classicon Bibendum Chair

€4,195.00
Contact us for Shipping Costs
Contact us for Shipping Costs

Classicon Bibendum Chair by Eileen Gray.

  • Bibendum is one of a kind. Nowhere in the history of design will one find an armchair that compares to this. It is captivatingly harmonious despite its size and unites a majestic impressiveness with charm and esprit like no other leather armchair.
  • Eileen Gray underscored the character of her endearing parior lion with sly irony; she named it after the Michelin man, whose form this armchair calls to mind.

Can't find it! We can supply all products from Classicon, If you know what you are looking for and it is not yet featured, please send us a request

Specifications

Frame of chromium-plated steel tubing. Seat has a beech frame with rubber webbing. Upholstery: Polyurethane with quilting cotton. Cover in fabric or leather.

Size Description

Width 90 cm (35.4″)
Deep 83 cm (32.7″)
Height 73 cm (28.7″)
Seating Height 41 cm (16.1″)

Color Description

Fabrics

  • Eilleen Gray

    Eilee Gray was born in Enniscorthy, Ireland, she spent her childhood in London and was among the first women to be admitted to the Slade School of Art where she took up painting in 1898 before undergoing an apprenticeship in a lacquer workshop. She moved to Paris in 1902 where she quickly established herself as one of the leading designers of lacquered screens and decorative panels.<p>During the ‘20s and ‘30s she became one of the leading exponents of the revolutionary new theories of design and construction and worked closely with many of the outstanding figures of the modern movement, including Le Corbusier and JJP Oud. Well to the fore of this group she exhibited chrome, steel tube and glass furniture in 1925 - the same year as Mies van der Rohe and Marcel Breuer and well before Le Corbusier. Her next major contribution to design was in architecture. Encouraged by Le Corbusier and JJP Oud, she designed two houses in the Alpes Maritimes, one at Roquebrune (built 1927-29), the other at Castellar (built 1932-34).</p><p>After the war and up to her death, she continued to work as a designer, on both major projects like the cultural and social centre which occupied her from 1946-47, and on a number of smaller furniture designs. In 1972 she was appointed a Royal Designer to Industry by the Royal Society of Art, London. In 1973 Eileen Gray signed a Worldwide contract with Aram Designs, London, to bring her designs into production for the first time. The Museum of Modern Art added her legendary Adjustable Table E 1027 to its permanent design collection in 1978.</p><p>Eileen Gray Kollektion: Authorised by The World Licence Holder Aram Designs Ltd, London.</p>
Go to top