The Ducks are reminiscent of Danish spring, with mother ducks waltzing proudly around Copenhagen with their young ducklings.
One particular spring in 1959 branded this image into the minds of the Danish population, as during the busy days in Frederiksberg a policeman found the time to stop the traffic in order to let a young Duck family pass.
It was an extraordinary and meaningful event to the by passers to the point that all the newspapers published a famous photograph of the ducks.
This captured moment encapsulates the Danish attention to nature and detail and the ability to appreciate small everyday miracles.
Inspired by the charming Duck family, Hans Bølling hence designed a pair of small wooden Duck figures, whose souls carry the essence of peaceful and harmonious Danish spring.
Their smooth, wooden curvatures are simple yet sophisticated and inspire subdued serenity and harmony anywhere they are placed, just as they did in spring ’59.
Hans B?lling was born in 1931 in a small town of Braband in
Denmark, he attended an Art- and Handcraft School originally to become an
advertising designer, however some years later he followed his passion for
archi-tecture and graduated as an architect from the Royal Danish Art Academy.
He designed a plethora of art works, ranging from dolls and furniture to villas,
living complexes and town halls.
The Duck came to life in the 1950s during the Bølling’s younger years, following
the architect’s designs of flowers and weeds from the Botanical Garden. Here he
decided to create small figures of ballerinas, trolls and musicians for his
loved ones. Later, after winning an award he received a carpentry machine, which
afforded him the opportunity to carve his beloved figures into wood. It is at
this point during the Danish spring that the Duck, and later its offspring – the
Duckling, were born.