Louis Poulsen PH 5-4½ Pendant Light

Designer: Poul Henningsen

€2,206.61

€1,985.95

Availability if not in stock 1 to 4 Weeks

Type: *

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Design: Ebbe Christensen & Sophus Frandsen, Poul Henningsen

The trumpet-shaped top shade on the fixture provides illumination of the area above the three shades, which primarily direct the light downwards. A base reflector and a blue glare ring protect against glare from all angles. The strongest light is directly under the fixture. The shades have a matt white painted finish to ensure very comfortable lighting

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Specifications

Material:
Shades: Spun aluminium.
Anti-glare disc: Blue, spun aluminium.
Struts: Rolled alu

Mounting:
Suspension type: PH 5-4½: Cable 3 x 0,75mm² & Wire. Canopy: Yes. Cable length: 3m. PH 6½-6: Cable 2 x 0.75 mm2 and wire. Canopy or external driver box contains driver. Cable length: 4m. Maximum distance between external driver box and fixture: 20m

Class:
Ingress protection IP20. Electric shock protection I w. ground

Kindly note that this product is CE-approved only and should only be used in countries that follow and accept this standard. If it is used elsewhere it will be at the customer's sole risk, responsibility and liability.

Size Description

Height: 31,8cm
Diameter: 46,6cm
Cable Length: 300cm
Diameter Diffuser: 47cm

Poul Henningsen

Poul Henningsen was born in Copenhagen by the famous Danish actress Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmark from 1911-14, and then at Technical College in Copenhagen from 1914-17. He started practicing traditional functionalistic architecture, but over the years his professional interests changed to focus mainly on lighting which is what he is most famous for. He also expanded his field of occupation into areas of writing, becoming a journalist and an author. For a short period at the beginning of WWII, he was the head architect of the Tivoli Gardens in Copenhagen. But like many other creative people, he was forced to flee Denmark during the German occupation but soon became a vital part of the Danish colony of artists living in Sweden.