Louis Poulsen VL 45 Radiohus Pendant
The VL45 RadiohusPendant family welcomes a new member in size Ø170 that complements the existing sizes of Ø250 and Ø370 and creates endless opportunities for exciting new interior designs involving this beloved classic.
Iconic Danish architect VilhelmLauritzen designed the VL45 RadiohusPendant in the 1940s for Radiohuset, the new Danish Broadcasting House – hence its name. Originally, though, the VL45 RadiohusPendant was called the Office Lamp.
The VL45 RadiohusPendant, as we know it today, maintains its lighting benefits as well as its warm sophisticated look and feel that fit so perfectly into current interior design trends.
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- Specifications
Finish: Glossy white opal glass, untreated brushed brass.
Material: Shade: Mouth-blown polished white opal glass.
Pendant fitting: Brushed untreated brass, will patinate. Will patinate over time.
Mounting:Suspension type: Cable 3 x 0,75 mm².
White canopy. 4.4 m white fabric cord.Light Source:1 x 20W E14
Class: Ingress protection IP20.
Electric shock protection I w/ground
Kindly note that this product is CE-approved only and should only be used in countries that follow and accept this standard. If it is used elsewhere it will be at the customer's sole risk, responsibility and liability.
- Size Description
Dimensions:Ø 17.5 cm
Weight:1 kg.
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Vilhelm Lauritzen
Vilhelm Lauritzen (1894–1984) is one of the most significant architects in the history of Denmark; he was the trail-blazing figurehead of Danish functionalism. A number of his buildings – Nørrebro Theatre (1931–32), Daells Varehus department store (1928–35), Radiohuset (1936-41) and the first airport built in Kastrup (1937–39) – represented the concentrated essence of contemporary life. Other significant buildings to stem from Lauritzen’s drawing board include Folkets Hus (1953–56) better known today as the Vega concert venue, the Shellhuset (1950–51) building and the Danish embassy in Washington (1958–60). In particular the Radiohuset building and the earliest version of Kastrup Airport – both listed today – are considered peerless monuments to modernism in the European genre of construction.