Louis Poulsen PH 2/1 Table Lamp

Designer: Poul Henningsen

€702.48

Availability if not in stock approximate 1 week.

Color: *

High lustre Chrome Plated
Metallized Black
Metallized Brass

Shipping Costs

€88.25

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The fixture provides soft lighting. PH 2/1 is designed on the principle of a reflecting multi-shade system, creating harmonious and glare-free lighting. The shade design is based on a logarithmic spiral, with the centre of the light source placed in the spiral’s focal point

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Specifications

Finish:
Black metallised or high lustre chrome plated. White opal glass.
Material:
Shades: Mouth-blown white opal glass.
Top plate: Black metallised or high lustre chrome plated, machined brass.
Base: Black metallised or high lustre chrome plated, brass.
Stem: Black metallised or high lustre chrome plated, brass.
Mounting: Cable type: Vinyl cord with plug.
Cable length: 1,75m.
Light control: In-line switch on cord.
1 x 33w

Class:Ingress protection IP20. Electric shock protection II w/o ground

Kindly note that this product is CE-approved only and should only be used in countries that follow and accept this standard. If it is used elsewhere it will be at the customer's sole risk, responsibility and liability.

Size Description

Base diameter 12cm
Height 35,5cm
Cap Diameter 20cm

Poul Henningsen

Poul Henningsen was born in Copenhagen by the famous Danish actress Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmark from 1911-14, and then at Technical College in Copenhagen from 1914-17. He started practicing traditional functionalistic architecture, but over the years his professional interests changed to focus mainly on lighting which is what he is most famous for. He also expanded his field of occupation into areas of writing, becoming a journalist and an author. For a short period at the beginning of WWII, he was the head architect of the Tivoli Gardens in Copenhagen. But like many other creative people, he was forced to flee Denmark during the German occupation but soon became a vital part of the Danish colony of artists living in Sweden.