Petit Friture Vertigo Suspension Lamp
  • Petit Friture Vertigo Suspension Lamp
  • Petit Friture Vertigo Suspension Lamp
  • Petit Friture Vertigo Suspension Lamp
  • Petit Friture Vertigo Suspension Lamp
  • Petit Friture Vertigo Suspension Lamp
  • Petit Friture Vertigo Suspension Lamp
  • Petit Friture Vertigo Suspension Lamp
  • Petit Friture Vertigo Suspension Lamp
  • Petit Friture Vertigo Suspension Lamp Small

Petite Friture Vertigo Suspension Lamp Medium ( 140cm)

€739.67
Availability if not in stock approximate 2 to 3 weeks.
Color: *
  • Black
  • White
  • Green
  • Copper
  • Cobalt
  • Beetle
Shipping Costs
€53.50
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Vertigo is, in the words of its designer, a “den lamp”. It is simultaneously ethereal and graphic, adapting to both large and small spaces where it creates it’s own intimate space. With its ultra light fibreglass structure, stretched with velvelty polyurethane ribbons, this pendant lamp fascinates as it comes to life swaying in the soft air currents that surround it.

«Vertigo is a den-lamp; it wraps around you, reducing space to an intimate atmosphere. Due to its extreme lightness, air currents make it slightly lose its balance and turn slowly.

Vertigo seems to float, with the light on, it creates a pattern of shadows on the walls.» Constance Guisset

 

Specifications

220-240 V 50-60 Hz

IP20 Rated.

Please note this product is CE approved only and should only be used in countries that follow and accept this standard. If it is used elsewhere it will be at the customers sole risk, responsibility and liability.

Size Description

Ø: 140; H: 15 cm

 

 

  • Constance Guisset

    Constance has a master’s degree at ENSCI - Les Ateliers. Born in 1976, she lives and works in Paris. “My work is centred around a research on illusion of vision and surprise. I endeavour to create moving objects that produce either a long-lasting astonishment or a passing fascination. The manufacturing of a project, to be understood as transformation, is a process during which the object becomes reality, only holding back the very necessary, the initial lightness and fantasy. At the end, the object comes out of its chrysalis as a finished product, exclusively to be handled by the final user. And takes its independence.”
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